Dating mesa amplifiers
Speaker: EVM 12LOutput: approximately 80 watts RMS Simul Class, switchable down to 15 watts Class APhotos: Matt Hertel. Early Mesa/Boogie Mark Series amps were something of a sensation, but even with the line now having stretched all the way to the massively featured Mark V, many fans of these powerful little beasts feel the evolution peaked at the end of the Mark II range, with the Mark IIC .
Though at the time they were simply the next step along the line – a tweak to the Mark IIC, which was just a relatively minor twist away from the Mark IIB before it, and so forth – players soon noticed (often in hindsight) that these “ ” amps sounded fantastic.
Like the Mark amps before and after them, Mark IIC Boogies were available with a range of options.
To the base 60-watt head or combo you could add reverb, graphic EQ, 100-watt output stage with Simul Class (a simultaneous use of Class A and Class A/B tube pairings, or one or the other independently), an export power transformer, an upgraded Electro-Voice or Altec speaker, and an exotic hardwood cabinet with wicker grille.
You can do it all; metal (Metallica ‘Master Of Puppets’), progressive rock (Dream Theater), whatever you want to dial in.
The clean channel is a great warm-blackface-type clean, while the gain channel has an awesomely warm, squishy and chewy rhythm/lead tone.” Further to Mark IIC lore, the marker scrawl below the power cord intake on the back of the chassis is most often “MB” for Mike Bendinelli, not because he designed the revisions (although he did), or even built all the amps (which he didn’t), but simply because he performed most of the final checks before each Boogie went out the door.
I’ve used mine for country, worship, and Top 40 classic rock gigs.All company names, logos and product names mentioned on these pages are trademarks of their respective owners.Copyright 2019 Studio Sound Electronics - All Rights Reserved Not responsible for web site errors or omissions.The run, however, was short, and the “ ” went out of production surprisingly quickly, as the new Mark III – with added a crunch channel – was brought in circa March of ’85.Many Boogie players will tell you that certain iterations of the Mark III (again, there are several, designated by the color of marker stripe, or lack thereof, above the power cord entry point) achieve a lead tone that’s almost indistinguishable from that of the Mark IIC .
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